Go behind the cut with top storytellers.

Discover why Creative Cloud is the most popular editing software for storytellers — from TV to film and beyond.

Go behind the cut with top storytellers.

Discover why Creative Cloud is the most popular editing software for storytellers — from TV to film and beyond.

Get Creative Cloud for just US$59.99/mo. 

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Chef’s kiss. And editor’s kiss.

Find out how the editors of FX’s The Bear use Premiere Pro to unveil the energy of a crowded kitchen, the emotion of family drama, and the grief that informs every frame of the Emmy®-nominated show.

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Stylish. Suspenseful. Seriously unhinged.

See how award-winning editor Kirk Baxter and his team used Premiere Pro to break the rules of traditional editing in The Killer, a neo-noir thriller directed by David Fincher.

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Edit frame by frame, or universe by universe.

See how editor Paul Rogers and directors, the Daniels, used Adobe Premiere Pro, Adobe After Effects, and Frame.io to create the film’s iconic audit scene.

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Go behind the scenes (and screens).

Discover how the editors of Missing used Premiere Pro and Adobe After Effects to create a thriller told entirely through phone and computer screens.

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Romantic, comedic, and genre-defying.

See how the editors of Somebody I Used to Know used Premiere Pro and After Effects to defy rom-com cliches — bringing a uniquely grounded angle to the genre.

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Breaking barriers, not workflows.

Take to the skies with the director and editors of Devotion to see how they used Premiere Pro, After Effects, and Frame.io to tell the story of the U.S. Navy’s first Black aviator.

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Get the Sundance scoop.

Go backstage with the artists and discover why more Sundance filmmakers use Premiere Pro than any other editing solution.

  

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Retro art meets new-school animation.

See how After Effects helped bring the story behind The Lady and the Dale to life with animation inspired by vintage paper cutouts.

 

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How Adobe apps took Stowaway to space.

See how sci-fi thriller Stowaway captures the look and feel of a Martian adventure with time-saving dynamic linking between Premiere Pro and After Effects.

  

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A powerful app for subtle edits.

"Every movie or TV show I’ve cut has been in Premiere,” says editor Joanna Naugle. So when it came time to edit the critically-acclaimed show Ramy, she used Premiere Pro to help bridge the fine line between comedy and drama.

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Taking YouTube tutorials to the next level.

Michelle Phan has created her career one makeup look at a time. See why editing with Premiere Pro is her favorite part of the process.

  

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Discover trans film history in DISCLOSURE.

See how director Sam Feder used Adobe Premiere Pro to edit across different frame rates and files, using its advanced tools to focus on how trans stories have been told on screen.

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And now for Some Good News.

John Krasinski’s warm and fuzzy YouTube show Some Good News is produced from home, with help from Premiere Pro.

  

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Editing that makes an impact.

See how the editors of Netflix’s “Crip Camp: A Disability Revolution” used Premiere Pro to capture the untold story behind a landmark moment.

  

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The art behind the action.

When director Tim Miller envisioned the new Terminator: Dark Fate movie, he knew Adobe video tools were up to the task. Check out interviews with his team to find out why.

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Bringing Wu-Tang history to the masses.

Mass Appeal turned to Premiere Pro to collaboratively edit the new SHOWTIME® docuseries Wu-Tang Clan: Of Mics and Men. See how they showcased this legendary group’s path from struggle to stardom.

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The Michael Jordan of documentaries.

The team behind Unbanned: The Legend of AJ1, used Premiere Pro, After Effects, and Photoshop to get the story of the iconic Air Jordans off the ground.

  

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Right on target for The Old Man and the Gun.

Veteran editor Lisa Churgin switched to Premiere Pro to cut this film, and post-production came off without a hitch.

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Atlanta doesn’t miss a beat.

Go behind the scenes to see how the editors of Atlanta bring episodes of this hot series to life in one accelerated workflow.

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Blade Runner 2049. After Effects 2017.

Check out how Territory Studio used After Effects, Photoshop, and MAXON Cinema 4D to create a new world and the next generation of visual effects.

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Only the Brave: Collaboration in action.

The editing team of this highly anticipated release relied on collaborative workflows and integration between Adobe Premiere Pro and After Effects to do everything from adding effects to correcting color and audio.

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The minds behind David Fincher’s Mindhunter.

David Fincher’s new Netflix series is edited with an all-Adobe workflow, including Adobe Premiere Pro and After Effects, bringing VFX and editorial under one roof.

  

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Get deep into 6 Below.

Scott Waugh’s latest film is the first feature cut natively in 6K. Using Premiere Pro, After Effects, and other Adobe apps, his team edited files directly from multiple formats, including Barco Escape.

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Editor Vinnie Hobbs is more than alright.

Famous for Kendrick Lamar’s video Alright, Vinnie Hobbs is first and foremost a storyteller who relies on Premiere Pro to create hits for artists like Nicki Minaj and Skrillex.

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