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July 2014

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Avid names Jennifer Smith senior VP/CMO
Avid names Jennifer Smith senior VP/CMO
May 7, 2014 –  BURLINGTON, MA — Avid (www.avid.com) has named Jennifer Smith senior VP and chief marketing officer. She will be based in the company’s Burlington, MA, headquarters. 
CCW/SATCON issue call for speakers
CCW/SATCON issue call for speakers
May 7, 2014 –  WASHINGTON, DC — The National Association of Broadcasters (www.nab.org) is now accepting speaking proposals for the 2014 Content and Communications World (CCW) and Satellite Communications Conference and Expo (SATCON), scheduled to take place November 12-13, 2014 in New York.
Hinge animates 'Community' open - GI Joe style
Hinge animates 'Community' open - GI Joe style
May 7, 2014 –  PORTLAND, OR — Hinge Digital (www.hingedigital.com) was called on by SBI Media to provide animation services for special episode of NBC’s Community. The live-action sitcom, now in its fifth season, has used animation techniques in the past, including stop-motion for a Christmas episode, and an 8-bit ...
Capturing Godzilla's mighty roar
Capturing Godzilla's mighty roar
May 7, 2014 –  LOS ANGELES — Erik Aadahl and Ethan Van der Ryn, the E2 (www.e2sound.com) sound design team that contributed to the new Godzilla film, used Sanken’s CO-100K microphone to help create the roar of the legendary monster, as well as for an array of sci-fi sounds.
VFX: 5 reasons to check out 'The Amazing Spider-Man 2'
VFX: 5 reasons to check out 'The Amazing Spider-Man 2'
May 2, 2014 –  When you can do anything in VFX, it's challenging to do something fresh and exciting. Here are five new things the VFX artists at Sony Pictures Imageworks (www.imageworks.com) — and other assisting VFX houses — did to make The Amazing Spider-Man 2 a must-see movie.
SGO's Mistika to support Dolby Vision technology
SGO's Mistika to support Dolby Vision technology
May 1, 2014 –  LONDON — SGO (www.sgo.es) announced that its flagship color grading and finishing platform, Mistika, now supports Dolby’s (www.dolby.com) Dolby Vision technology, enabling the display of high dynamic range (HDR) images with wider color gamut capabilities.
Red Giant's 'Universe' offers free access to VFX tools
Red Giant's 'Universe' offers free access to VFX tools
April 30, 2014 –  SAN FRANCISCO — Red Giant (redgiant.com) has introduced its new Red Giant Universe (redgiant.com/universe) community that allows access to a library of new tools and effects for filmmakers and motion graphic artists, via a free membership. Currently available are 50 VFX plug-ins built on the new Sup ...
Academy event to deconstruct 'Gravity'
Academy event to deconstruct 'Gravity'
April 30, 2014 –  LOS ANGELES — On Monday, May 12, The Academy of Motion Picture Arts and Sciences (www.oscars.org) will present an in-depth look at the groundbreaking production methods used to create the multiple Oscar-winning film, Gravity.
MEWShop announces 'Sight, Sound & Story' line-up
MEWShop announces 'Sight, Sound & Story' line-up
April 29, 2014 –  NEW YORK — Manhattan Edit Workshop, an authorized digital training destination for post production and content creators, has announced its list of guest speakers and panelists for its one-day event, Sight, Sound & Story. The event is scheduled to take place on June 14th at the French Institute i ...
Bonfire Labs adds to in-house team
Bonfire Labs adds to in-house team
April 23, 2014 –  SAN FRANCISCO — Creative content agency Bonfire Labs (www.bonfirelabs.com) continues to grow its in-house capabilities with the addition of three new staffers. Executive producer Tim Pries, producer John Hunt and designer Judy Leung have all joined the studio.

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