"From our established roots of doing trailers for the indie market, the step up to posting entire features was a natural progression," says Karma Bank founder and principal Preston Kuntz. "We can provide an entire film package complete with color-correction, titles, and trailer, featuring our strength in visual effects. We can be an all in one solution and offer the highest quality with an emphasis on being creative.
Greg Creaser handled color correction on "Penny Dreadful." The studio offers Autodesk Smoke 7.0, Lustre, Combustion, and 3DS Max. Smoke was used to conform "Penny Dreadful" and Lustre for grading. In-house tracking software, designed by Chris Woods, keeps track of all material throughout the facility.
LAS VEGAS — XenData (www.xendata.com), the provider of high capacity data storage solutions based on hybrid cloud, data tape and optical cartridges, has launched a new, highly scalable yet affordable ...
March 20, 2019
LOS ANGELES — Destro (www.destro.tv) is a new live-action and post production boutique formed by industry veterans Drew Neujahr, Sean McAllen and Shane McAllen. The studio has already developed and pr ...
October 31, 2019
NEW YORK CITY — Sim (siminternational.com) has completed a major expansion of its post production facility in New York City. Additions include three audio mix suites, one with Dolby Atmos capability, ...
August 7, 2019