"From our established roots of doing trailers for the indie market, the step up to posting entire features was a natural progression," says Karma Bank founder and principal Preston Kuntz. "We can provide an entire film package complete with color-correction, titles, and trailer, featuring our strength in visual effects. We can be an all in one solution and offer the highest quality with an emphasis on being creative.
Greg Creaser handled color correction on "Penny Dreadful." The studio offers Autodesk Smoke 7.0, Lustre, Combustion, and 3DS Max. Smoke was used to conform "Penny Dreadful" and Lustre for grading. In-house tracking software, designed by Chris Woods, keeps track of all material throughout the facility.
DALLAS — Republic (http://theRepublic.co) recently added two industry veterans to its roster of creative directors. Barrett Lewis and Patton Tunstall are already leading projects inside the studio's p ...
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Searchlight Pictures’ latest film, All of Us Strangers, is set in London, where Adam (Andrew Scott) has a chance encounter with a mysterious neighbor, Harry (Paul Mescal), in their new apartment build ...
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Showtime’s Yellowjackets is equal parts survival epic, psychological horror story and coming-of-age drama. The series follows a talented girls high school soccer team that is involved in a plane crash ...
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