The Directors Duo employ full Blackmagic workflow for Zurich Insurance
August 22, 2018

The Directors Duo employ full Blackmagic workflow for Zurich Insurance

MUNICH, GERMANY — The commercial team The Directors Duo — Benjamin Kratzin and Christopher Schlierf — recently used Blackmagic Design’s Ursa Mini Pro and DaVinci Resolve Studio to create two sports-themed campaigns for Zurich Insurance. The Directors Duo handled directing, production and post for the spots, which are linked by a “Strong Performance” tagline. 

While the Summer spot follows a female biker skillfully taking on rigorous forest jumps and trails, the Winter spot - Olympia - follows an alpine snowboarder risking life and limb on free ride slopes and jumping gaps on Alpine mountaintops. Schlierf took on all of the DP and directing duties for the commercials, which were conceived by Zurich agency Butter and production company Fireapple. Shooting the Winter spot entailed big, wide shots with a helicopter and drones, as well as tightly-framed shots, with the duo staying very close to the action.

“We went up there with the Ursa Mini Pro and chose anamorphic lenses for a great visual look,” says Schlierf. “Using it on a DJI Ronin 2 on an Easyrig gimbal, we could attach it to our body and ski down the free ride slopes. What is great about the Ursa Mini Pro is that the system is so scalable. Zurich was so happy with our Winter spot that they subsequently asked us for a much smaller project for the Summer season about mountain biking.”

Schlierf decided to complete picture and audio post on the spot through DaVinci Resolve 15 Studio. 

“We were able to quickly move the focus of the project between the different tabs from Edit to Color to Deliver, eliminating the need for conforms or round tripping. You’ve got everything in one package.”

“The creative opportunities within Version 15 are on another level altogether,” adds Kratzin. “Features such as the stackable and tabbed timelines in Edit means you have a solid all round platform to cut on alongside some powerful tools for color, VFX and audio.”

"Its entire interface feels very modern,” he adds. “The interactive timelines in the Edit pages makes the cutting fluid. Simple touches such as how the trimming tools change depending on where you place the mouse in your timeline, for example, make a big difference.”

With the grade complete, Kratzin imported his entire sound design library into DaVinci Resolve, where he designed and mixed the audio using Fairlight, which was a first.

"We then normalized the levels and only at the final stage of the TVC version did we export to Orange Sound Studio’s in Munich for the final legal mix,” concludes Kratzin. "While the integration of Fairlight is still a relatively new addition to Resolve, it's already a pretty impressive addition to what is an amazing set of creative tools.”