Visual Effects

  • EMMYS: outstanding visual effects nominees
    Visual Effects
    EMMYS: outstanding visual effects nominees

    LOS ANGELES — Recently, nominees for the 2012 Emmy Awards were revealed. Soon judging will take place, culminating September 15 with the Creative Arts Awards and ball and the September 23 telecast and ...

    August 22, 2012

  • Dilated Pixels handles VFX for 'Sparkle'
    Visual Effects
    Dilated Pixels handles VFX for 'Sparkle'

    HOLLYWOOD — Dilated Pixels  (www.dilatedpixels.net) served as the sole visual effects vendor on the new feature film, Sparkle, from Sony Pictures. The film is set in 1968 Detroit, where the Motow ...

    August 21, 2012

  • PODCAST: OptiTrack
    Visual Effects
    PODCAST: OptiTrack

    Post contributor Daniel Restuccio checks in with OptiTrack's Seth Steiling, a developer of motion capture technology, which had a new 4.1 megapixel camera at SIGGRAPH 2012.

    August 16, 2012

  • PODCAST: PipelineFX
    Visual Effects
    PODCAST: PipelineFX

    PipelineFX's Richard Lewis details the latest in their intelligent renderfarm management software.

    August 16, 2012

  • PODCAST: Shotgun Software
    Visual Effects
    PODCAST: Shotgun Software

    Shotgun Software highlights its Shotgun and Tank applications, along with its integration with the Revolver review tool.

    August 16, 2012

  • PODCAST: Tweak
    Visual Effects
    PODCAST: Tweak

    Tweak highlights its work with Shotgun Software on Revolver software, which is in beta. The company also discusses its RV playback engine.

    August 16, 2012

  • OptiTrack shows large volume mocap solution
    Visual Effects
    OptiTrack shows large volume mocap solution

    LOS ANGELES — OptiTrack (www.optitrack.com) has expanded to the high-end motion capture market with the introduction of the Prime Series, a new family of motion capture cameras tailored specifically t ...

    August 9, 2012

  • ILM & Weta team up for 'Avengers'
    Visual Effects
    ILM & Weta team up for 'Avengers'

    The final battle sequence in The Avengers presented significant technical and artistic challenges to Industrial Light and Magic.

    August 9, 2012

Go to page 1 2 3 4 5  . . . 132 133 134 135 136 137 138  . . . 161 162 163   Next