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August 2014

Visual Effects

EMMYS: outstanding visual effects nominees
August 22, 2012 –  LOS ANGELES — Recently, nominees for the 2012 Emmy Awards were revealed. Soon judging will take place, culminating September 15 with the Creative Arts Awards and ball and the September 23 telecast and ...
Dilated Pixels handles VFX for 'Sparkle'
August 21, 2012 –  HOLLYWOOD — Dilated Pixels  ( served as the sole visual effects vendor on the new feature film, Sparkle, from Sony Pictures. The film is set in 1968 Detroit, where the Motow ...
'Videophonic' Website launches highlighting PromaxBDA challenge
August 17, 2012 –  LOS ANGELES — At the 2012 PromaxBDA Conference held in LA earlier this summer, attendee had a chance to view "Videophonic," a collaborative effort between nine design studios that worked on a common a ...
PODCAST: OptiTrack
August 16, 2012 –  Post contributor Daniel Restuccio checks in with OptiTrack's Seth Steiling, a developer of motion capture technology, which had a new 4.1 megapixel camera at SIGGRAPH 2012.
August 16, 2012 –  PipelineFX's Richard Lewis details the latest in their intelligent renderfarm management software.
PODCAST: Shotgun Software
August 16, 2012 –  Shotgun Software highlights its Shotgun and Tank applications, along with its integration with the Revolver review tool.
August 16, 2012 –  Tweak highlights its work with Shotgun Software on Revolver software, which is in beta. The company also discusses its RV playback engine.
Autodesk creates technology partnership with Lightstorm & Weta
August 14, 2012 –  SAN RAFAEL, CA — Autodesk has partnered with Lightstorm Entertainment and Weta Digital to develop the next generation of virtual production technology for the motion picture industry. Lightstorm Enter ...
OptiTrack shows large volume mocap solution
August 9, 2012 –  LOS ANGELES — OptiTrack ( has expanded to the high-end motion capture market with the introduction of the Prime Series, a new family of motion capture cameras tailored specifically t ...
ILM & Weta team up for 'Avengers'
August 9, 2012 –  The final battle sequence in The Avengers presented significant technical and artistic challenges to Industrial Light and Magic.
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