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May 2013

Daniel Restuccio
Daniel Restuccio is currently chief creative officer for Realwork Entertainment and is currently developing a number of feature and social media productions. He is a former Walt Disney Studios Imagineer and former assistant vice president and senior producer at Citicorp Television Center; He is also digital media faculty at California Lutheran University.
Authored Articles
Red Giant's BulletProof: A media wrangler for the rest of us
Published: April 16, 2013

The folks at Red Giant, creators of sexy VFX plug-ins and filmmakers themselves, have come up with a clever piece of software called BulletProof that gives you many of the advantages of an on-set data wrangling set-up for a fraction of the cost.
Edit This!: 'The Hobbit'
Published: December 7, 2012

WELLINGTON, NZ — Warner Bros.’ The Hobbit: An Unexpected Journey is the first of three movies based on the J. R. R. Tolkien introductory novel to The Lord of the Rings saga that could very well transform the movie-going experience.
VFX: 'Flight' makes use of the cloud
Published: November 8, 2012

SAN FRANCISCO — Paramount Pictures’ Flight, which is already garnering some Oscar buzz, is a story about a hero who also proves to be human.
Workflow: 'Cloud Atlas'
Published: October 19, 2012

HOLLYWOOD — Cloud Atlas, the award-winning multi-dimensional narrative written by David Mitchell, has been rendered into an epic, visually-stunning movie experience by three renowned directors: Tom Tykwer (Run Lola Run) and Andy Wachowski and Lana Wachowski (The Matrix Trilogy). This unique collaboration reportedly earned the film a seven-minute standing ovation at its premiere at the Toronto Film Festival.
Cover Story: 'The Dark Knight Rises'
Published: August 13, 2012

LONDON — Warner Bros. & Chris Nolan’s The Dark Knight Rises, boasts over an hour of stunning IMAX footage, an accomplishment that raised the bar for the film’s visual effects supervisor, Paul Franklin, and his team at Double Negative UK (www.dneg.com), which delivered over 450 VFX shots at an astonishing 4K and higher resolution, more than double the 2K resolution of effects produced for most movies made today.
Dell's new mobile workstations
Published: July 30, 2012

Dell (www.dell.com/precision) recently released three high-end mobile workstations: M4700, M6700 and the M6700 Covet models that post professionals will appreciate for their portability, with virtually no sacrifice in computing power. 
Cover Story: 'The Avengers'
Published: May 14, 2012

LOS ANGELES — Marvel Comics’ new Avengers movie, distributed under the Disney banner, capitalizes on the existing big-name franchises of Iron Man, Hulk, Thor and Captain America. In addition to the main VFX houses, ILM and Weta, also onboard are writer/director Joss Whedon, Captain America editor Jeffrey Ford and Serenity editor Lisa Lassek.
Cover Story: 'Act of Valor'
Published: February 2, 2012

CULVER CITY, CA — Act of Valor is the first dramatic feature film from stunt men and documentary directors Scott Waugh and Mike “Mouse” McCoy. By mixing “reality-style” storytelling, video-gaming sensibilities and technically embracing a cutting-edge production and post workflow that combined Canon 5D Mark II, Arri and Panavision packages, they have created a unique work that embodies the essence of vanguard moviemaking.
Cover Story: 'The Adventures of Tintin'
Published: December 30, 2011

MANHATTAN BEACH, CA — The Adventures of Tintin is director Steven Spielberg’s first performance-captured animated feature, and it marks his first collaboration with noted producer/director Peter Jackson.
Cover Story: 'The Girl With the Dragon Tattoo'
Published: November 9, 2011

HOLLYWOOD — The Girl With the Dragon Tattoo is director David Fincher’s take on the international best-selling novel by the late Stieg Larsson, who wrote two other books about the troubled heroine Lisbeth Salander and the journalist Mikael Blomkvist. Dragon Tattoo reunites Fincher’s post team from The Social Network: Academy Award-winning editors Kirk Baxter and Angus Wall, assistant editor Tyler Nelson and Light Iron colorist Ian Vertovec.
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