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DESIGN TIMES
August 1, 2003
| By Marc Loftus
I initially met Bob Koch while he was a VP/managing director at TZ, the design division of the now d ...
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DIGITAL INTERMEDIATES
August 1, 2003
| By Claudia Kienzle
The digital intermediate is a process that allows directors and cinematographers to extend total cre ...
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GRAPHICS PLUG-INS
August 1, 2003
| By Ann Fisher
Always looking for ways to be responsive to our readers' needs, Post Magazine is trying something ne ...
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MINDING YOUR BID-NESS
August 1, 2003
| By Randi Altman
With competition in commercial work fiercer than ever these days, visual effects studios have been a ...
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Post August 2003
August 1, 2003
The August 2003 issue is now online in PDF file format. Click here to download the file. (Caution th ...
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REVIEW: ADOBE PREMIERE PRO
August 1, 2003
| By Tor Rolf Seemann
Forget what you've heard about Adobe Premiere, look beyond its previously consumerish toolset and ba ...
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REVIEW: HP’s XW4100 WORKSTATION
August 1, 2003
| By Randall Simpson
The little workstation that could.
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THE ART OF THE BID
August 1, 2003
| By Matthew Armstrong
The advertising business is a strange mix of creativity and finance that often pulls agencies, produ ...
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THE CHALLENGES FACED BY A BLACK ANIMATOR
August 1, 2003
| Raymond
Ten years ago, when I started doing 3D, everything was Unix based, so animators tended to fall into ...
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THE DIGITAL PROMISE: THE DIRECTOR’S PRINT ON EVERY SCREEN
August 1, 2003
| By Loren Nielsen
For most directors, having the audience see their movies with the same high quality picture and soun ...
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AUDIO FOR SPOTS
August 1, 2003
| By Christine Bunish
With our ever-diminishing attention span, ad agencies and their clients need to grab and keep viewer ...
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