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A POST PRODUCTION JOURNEY
June 1, 2003
| By Randi Altman
Post production veteran Richard Cormier has left Ascent Media's Riot, where he served almost four ye ...
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AUDIO ACQUISITIONS
June 11, 2003
| By Marc Loftus
In the last few months, the post industry has seen many pairings between audio software manufacturer ...
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OPEN HOUSE: FORWARD NEVER STRAIGHT
June 1, 2003
Chris Hepburn took a chance when he left Activision to start his own studio. Looking back, he says i ...
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OPENS & LOGOS
June 1, 2003
| By Ann Fisher
Animators and designers are quick to point out that the soft economy is influencing current trends i ...
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REVIEW: ULTIMATTE'S ADVANTEDGE
June 1, 2003
| By Tor Rolf Seemann
Ultimatte compositing technology has led the way in the blue-/greenscreen industry beginning with it ...
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Sound Design
June 1, 2003
| By Christine Bunish
Sound designer Jun Mizumachi of New York City's Tonic tries to create new sounds every day. "The mos ...
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Stock Music for Broadcast Design
June 1, 2003
| By Edmond M. Rosenthal
Exclusivity remains an issue when producers consider the use of lower-cost library music for opens a ...
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STORAGE AND NETWORKING FOR NLE'S
June 1, 2003
| By Claudia Kienzle
When it comes to storage and networking, few applications are more demanding than nonlinear editing ...
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Thomas Edison's The Great Train Robbery
June 1, 2003
| By Christine Bunish
IOWA CITY, IA - A century ago, film editing as we've come to know it made its debut in The Great Tra ...
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