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A GLOBAL VIEW OF D-CINEMA
October 1, 2003
| By Claudia Kienzle
Adoption is happening worldwide, but until issues of cost and standardization are resolved, the proc ...
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AES COMES TO THE BIG APPLE
October 1, 2003
| By Marc Loftus
The 115th AES Convention comes to NYC's Javits Center this month, bringing with it an opportunity fo ...
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InDigEnt's cost-effective, digital philosophy
October 1, 2003
| By Daniel Restuccio
NEW YORK - Okay, so that $6 million film you were set to work on has been downsized to a $150,000 di ...
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Preparing for Post
October 1, 2003
| By Ann Fisher
We make a lot of money on mistakes that happen on set," says Matt Silverman, director of effects and ...
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REVIEW: ATI’S FIREGL X2-256 VS. NVIDIA’S QUADRO FX 3000
October 1, 2003
| By Randall Simpson
The competition for title of "Best Graphics Accelerator on the Planet" has been raging for some time ...
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SPR: READY FOR ANYTHING
October 1, 2003
| By David John Farinella
MONTREAL - By consistently expanding into new markets, Canada's Audio Post Production SPR has been a ...
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Surround Sound
October 1, 2003
| By Christine Bunish
The degree to which 5.1 surround sound has been adopted by the audio post industry depends on the ma ...
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The Business of Creative Services
October 1, 2003
| By Bob Koch
Owning or managing an independent creative services company can be as challenging as running any oth ...
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THE DEBATE CONTINUES
October 1, 2003
| By Randi Altman
Paper or plastic? Film or digital projection? These are the great debates of our time. OK, maybe I'm ...
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The Godmother
October 1, 2003
| By Ken McGorry
VANCOUVER - It's been a year rife with the protean efforts of film studios and visual effects artist ...
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