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October 1, 2003

October 1, 2003

A GLOBAL VIEW OF D-CINEMA A GLOBAL VIEW OF D-CINEMA
October 1, 2003 | By Claudia Kienzle
Adoption is happening worldwide, but until issues of cost and standardization are resolved, the proc ...
AES COMES TO THE BIG APPLE AES COMES TO THE BIG APPLE
October 1, 2003 | By Marc Loftus
The 115th AES Convention comes to NYC's Javits Center this month, bringing with it an opportunity fo ...
InDigEnt's cost-effective, digital philosophy InDigEnt's cost-effective, digital philosophy
October 1, 2003 | By Daniel Restuccio
NEW YORK - Okay, so that $6 million film you were set to work on has been downsized to a $150,000 di ...
Preparing for Post Preparing for Post
October 1, 2003 | By Ann Fisher
We make a lot of money on mistakes that happen on set," says Matt Silverman, director of effects and ...
REVIEW: ATI’S FIREGL X2-256 VS. NVIDIA’S QUADRO FX 3000 REVIEW: ATI’S FIREGL X2-256 VS. NVIDIA’S QUADRO FX 3000
October 1, 2003 | By Randall Simpson
The competition for title of "Best Graphics Accelerator on the Planet" has been raging for some time ...
SPR: READY FOR ANYTHING SPR: READY FOR ANYTHING
October 1, 2003 | By David John Farinella
MONTREAL - By consistently expanding into new markets, Canada's Audio Post Production SPR has been a ...
Surround Sound Surround Sound
October 1, 2003 | By Christine Bunish
The degree to which 5.1 surround sound has been adopted by the audio post industry depends on the ma ...
The Business of Creative Services The Business of Creative Services
October 1, 2003 | By Bob Koch
Owning or managing an independent creative services company can be as challenging as running any oth ...
THE DEBATE CONTINUES THE DEBATE CONTINUES
October 1, 2003 | By Randi Altman
Paper or plastic? Film or digital projection? These are the great debates of our time. OK, maybe I'm ...
The Godmother The Godmother
October 1, 2003 | By Ken McGorry
VANCOUVER - It's been a year rife with the protean efforts of film studios and visual effects artist ...