October 1, 2010

  • 1-Oct-2010
    October 2010
    HD/RED TV SERIES – Smooth workflows are becoming the norm

    COMPOSITING FOR 3D STEREO – Where do today’s artists get their inspiration?

    SURROUND SOUND – The many "grey" areas of surround sound post production

    SOUND LIBRARIES – Making canned sound effects and music your own

Departments

  • 'Waiting for Superman'
    'Waiting for Superman'

    HOLLYWOOD — Producer Lesley Chilcott and writer/director Davis Guggenheim, the powers behind the Oscar-winning documentary An Inconvenient Truth (climate change) as well as It Might Get Loud (awesome ...

    October 12, 2010

  • Director's Chair: Randall Wallace - 'Secretariat'
    Director's Chair: Randall Wallace - 'Secretariat'

    HOLLYWOOD — Movie fans have always loved a good horse racing film. Now, following in the hooves of such favorites as Seabiscuit, Dreamer and National Velvet, comes the new Disney film Secretariat. Bas ...

    October 5, 2010

  • Editor's Letter
    Editor's Letter

    IBC & 3D Stereo

    October 5, 2010

  • Post Script
    Post Script

    VFX in NYC

    October 5, 2010

  • Review: Studio GPU’s MachStudio Pro
    Review: Studio GPU’s MachStudio Pro

    I like things done quick. In spots, that’s the mantra. You need results fast with minimal time spent chasing your own tail. With style frames or look development, this couldn’t be more true. When I wa ...

    October 5, 2010

  • The Social Network
    The Social Network

    The film’s workflow took advantage of Adobe and Apple tools.

    October 8, 2010

  • The Social Network's Image Experts
    The Social Network's Image Experts

    HOLLYWOOD — On one of the larger soundstages at Red Studios in Hollywood, Lightiron (www.lightirondigital.com) colorist Ian Vertovec is perched on a raised platform about 16 feet in the air at the cen ...

    October 12, 2010

Features

  • 3D Stereo Compositing Roundtable
    3D Stereo Compositing Roundtable

    As the trend toward 3D stereoscopic projects continues to grow, so does the need for information about working in this new world. Even if job titles aren’t changing, the intricacies of the jobs are. Y ...

    November 1, 2010

  • Digitally Acquired TV Series
    Digitally Acquired TV Series

    TV series embrace datacentric workflows By Christine Bunish

    October 6, 2010

Web Exclusives

  • 'Karate Kid' DVD gets 4K master at Colorworks
    'Karate Kid' DVD gets 4K master at Colorworks

    Colorworks kicks off 4K mastering with 'The Karate Kid' CULVER CITY, CA — When Sony Pictures Studios (www.spe.sony.com)  launched its Colorworks facility last year, one of its goals was to bu ...

    October 18, 2010

  • Autodesk’s 3DS Max 2011
    Autodesk’s 3DS Max 2011

    A satisfying upgrade that packs in many worthy additions. By Oliver Zeller

    October 8, 2010

  • Keyframe handles VFX for 'Lost Girl,' 'Warehouse 13'
    Keyframe handles VFX for 'Lost Girl,' 'Warehouse 13'

    NIAGARA-ON-THE-LAKE, ONTARIO — Keyframe Digital Productions (www.keyframe.ca) is working on the visual effects for 13 one-hour episodes of the new, original fantasy-noir series, Lost Girl. The series ...

    October 13, 2010

  • SMPTE conference to address multi-platform challenges
    SMPTE conference to address multi-platform challenges

    HOLLYWOOD — SMPTE’s Annual Technical Conference & Expo (www.smpte.org) will take place on October 26-28, but the day before the event, the organization is hosting a pre-conference symposium dubbed ...

    October 12, 2010

  • Stephen Arnold Music's Vault
    Stephen Arnold Music's Vault

    There are big differences in music libraries – and there are significant differences among the people and productions that use them.

    October 12, 2010