Post Magazine - February 1, 2011

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May 2013

February 1, 2011
	COMMERCIALS EMBRACE DIGITAL WORKFLOWS – from acquisition to post GRAPHICS FOR 3D STEREO – new formats, new challenges HOT AUDIO GEAR YOU MIGHT NOT KNOW ABOUT – it’s the little things that make your job easier GOING GREEN – production and post continue to find ways to help save the planet

Departments
	Director's Chair: Alejandro Gonzalez Inarritu - 'Biutiful' January 31, 2011 \| By Iain Blair HOLLYWOOD — Mexican director Alejandro González Iñárritu directed and produced his acclaimed 2000 de ...
	Editor's Letter: Embracing Green February 1, 2011 \| By Randi Altman You don’t have to be a large corporation to make a difference when it comes to protecting the enviro ...
	Post Script: Commercial Workflows February 1, 2011 \| By Marc Loftus This month, Post looks at workflows for commercial productions, following footage as it is acquired, ...
	Recruitment: Looking for work? February 14, 2011 \| Hannah Acock There has never been a better time to be working in visual effects. Each year global VFX facilities ...
	Review: G-Technology's G-Drive Slim February 1, 2011 \| By Brady Betzel A bleeding-edge design concept and a flashy front end have become the backbone of many products in t ...
	Review: Imagineer Systems' Mocha Pro February 4, 2011 \| Steven M. Blasini The folks at Imagineer have done it again. As if they didn’t impress with Motor, which pioneered pla ...
Features
	Commercial Workflows February 3, 2011 \| By Marc Loftus Whether you are a DP, DIT, editor, colorist or effects pro working on a commercial project, the way ...
	Cover Story: Green Days February 3, 2011 \| By Randi Altman Are you green? Do you recycle every bit of paper and cardboard box that comes your way? Do you carry ...
	Graphics for Stereo 3D February 3, 2011 \| By Christine Bunish Although stereo 3D for broadcast and non-feature film applications is still in its infancy, it’s not ...
Web Exclusives
	Editor Michael Kahn reflects on his work with Spielberg February 1, 2011 \| Trevor Hogg “Steven was looking for an editor after Jaws,” recalls film editor Michael Kahn, as to how his creat ...
	How content supply chain management will shape post February 1, 2011 \| Tony Lapolito It’s all about content. That may be an oft-used cliché, but there’s no denying content’s critical ro ...
	Tone Visuals takes color grading into the field February 9, 2011 AUSTIN, TX — Tone Visuals’ (www.tonevisuals.com) Brian Buongiorno is a veteran colorist who’s worked ...
	Using Boxx's RenderPro on 'Water Soul' February 1, 2011 Water Soul is a gloomy fairy tale, a mystery-adventure in stereoscopic 3D, produced with the support ...
	WWII Nat Geo special created in post February 23, 2011 Earlier this month, National Geographic Channel premiered The Wereth 11, a feature about a group of ...

Departments
	Director's Chair: Alejandro Gonzalez Inarritu - 'Biutiful' January 31, 2011 \| By Iain Blair HOLLYWOOD — Mexican director Alejandro González Iñárritu directed and produced his acclaimed 2000 de ...
	Editor's Letter: Embracing Green February 1, 2011 \| By Randi Altman You don’t have to be a large corporation to make a difference when it comes to protecting the enviro ...
	Post Script: Commercial Workflows February 1, 2011 \| By Marc Loftus This month, Post looks at workflows for commercial productions, following footage as it is acquired, ...
	Recruitment: Looking for work? February 14, 2011 \| Hannah Acock There has never been a better time to be working in visual effects. Each year global VFX facilities ...
	Review: G-Technology's G-Drive Slim February 1, 2011 \| By Brady Betzel A bleeding-edge design concept and a flashy front end have become the backbone of many products in t ...
	Review: Imagineer Systems' Mocha Pro February 4, 2011 \| Steven M. Blasini The folks at Imagineer have done it again. As if they didn’t impress with Motor, which pioneered pla ...
Features
	Commercial Workflows February 3, 2011 \| By Marc Loftus Whether you are a DP, DIT, editor, colorist or effects pro working on a commercial project, the way ...
	Cover Story: Green Days February 3, 2011 \| By Randi Altman Are you green? Do you recycle every bit of paper and cardboard box that comes your way? Do you carry ...
	Graphics for Stereo 3D February 3, 2011 \| By Christine Bunish Although stereo 3D for broadcast and non-feature film applications is still in its infancy, it’s not ...
Web Exclusives
	Editor Michael Kahn reflects on his work with Spielberg February 1, 2011 \| Trevor Hogg “Steven was looking for an editor after Jaws,” recalls film editor Michael Kahn, as to how his creat ...
	How content supply chain management will shape post February 1, 2011 \| Tony Lapolito It’s all about content. That may be an oft-used cliché, but there’s no denying content’s critical ro ...
	Tone Visuals takes color grading into the field February 9, 2011 AUSTIN, TX — Tone Visuals’ (www.tonevisuals.com) Brian Buongiorno is a veteran colorist who’s worked ...
	Using Boxx's RenderPro on 'Water Soul' February 1, 2011 Water Soul is a gloomy fairy tale, a mystery-adventure in stereoscopic 3D, produced with the support ...
	WWII Nat Geo special created in post February 23, 2011 Earlier this month, National Geographic Channel premiered The Wereth 11, a feature about a group of ...