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Director's Chair: Mike Leigh's 'Another Year'
January 3, 2011
| By Iain Blair
HOLLYWOOD — For the past 40 years, since his aptly-named 1971 feature debut Bleak Moments , British ...
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Editing 'Life In A Day'
January 3, 2011
| By Ken McGorry
LONDON — What if Ridley Scott and Kevin Macdonald, each armed with directing Oscars, entrusted shoot ...
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Editing 'The Green Hornet'
January 3, 2011
| By Randi Altman
CULVER CITY, CA — Veteran editor Michael Tronick and his editing team have taken on the task of help ...
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Editor's Letter: Who will get Oscar's attention?
January 3, 2011
| By Randi Altman
I’d like to begin this column with a hearty, Happy New Year! Let’s hope that 2011 finds more studios ...
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Post Script: SeamBi creates new ad opportunities
January 3, 2011
| By Marc Loftus
SeamBi has developed technology that enables brands to seamlessly integrate their product or message ...
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Review: Autodesk Smoke for Mac OS X
January 3, 2011
| By Barry Goch
The world of production and post is now radically different from five years ago. Back in the day, we ...
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Review: FrameForge Previz Studio 3
January 3, 2011
| By Igor Ridanovic
Every now and then one may come across a piece of software that is very useful and a lot fun to use. ...
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Pipeline and Tools: Part I
January 5, 2011
| Ed Heede
Most cinema pros make a life at a unique niche of the film pipeline process. For shooters, editors o ...
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Post's Best Bets For Oscar Gold
January 4, 2011
| By Iain Blair
Maybe it’s an illustration of that old saw, ‘Out of sight, out of mind,’ or maybe it’s just human na ...
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Audio For Indies: 'The Ledge'
January 3, 2011
The Ledge director Matthew Chapman on the PostDigital stage.
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Audio For Indies: 'Waiting For Superman'
January 3, 2011
Waiting for Superman was mixed on Stage 6 on the Warner Bros. Post Production Sound campus in Hollyw ...
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Editing HDSLR files natively may not be a smart idea
January 28, 2011
| Larry Jordan
With the wild success of HDSLR cameras from both Canon and Nikon, there is a renewed interest in edi ...
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Shooting 3D on a 2D budget
January 28, 2011
TORONTO — Wildlife filmmaker Adam Ravetch has spent two decades documenting the details of animals’ ...
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VFX: 'The Fighter'
January 4, 2011
| By Marc Loftus
SANTA MONICA - Comen VFX (www.comenvfx.com) served as the sole visual effects house for the feature ...
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Why are new film labs being built?
January 3, 2011
| By Jonathan Banks
These days, the future of motion picture film is the subject of much debate throughout the global TV ...
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