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Cover Story: Shooting USA Network's 'White Collar'
August 30, 2011
| By Randi Altman
NEW YORK — Thanks to some competitive tax incentives, the streets of New York are becoming flush wit ...
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Director's Chair: Craig Gillespie - 'Fright Night'
September 2, 2011
| By Iain Blair
HOLLYWOOD — Aussie director Craig Gillespie worked as an award-winning commercial director for 15 ye ...
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Editor's Letter: The evolving world of VFX studios
September 7, 2011
| By Randi Altman
With 30 years industry experience under her belt, VFX producer Jenny Fulle has seen a lot of changes ...
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Post Script: Point, counter point
September 7, 2011
| By Marc Loftus
Last month, in this space, I reported on editor Chris Duke, who is one of the first Final Cut Pro X ...
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Review: Red Giant's Magic Bullet Suite 11
September 7, 2011
| By David Basulto
Red Giant has always embraced the little guy, a.k.a., the indie filmmaker. When they first introduce ...
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Review: SmartSound Quicktracks
September 7, 2011
| Luke Harper
Remember the last time you didn’t have the right tool for the job? How frustrating it was, how much ...
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Eden FX details 'Teen Wolf' work
September 30, 2011
SANTA MONIC A — Eden FX (www.edenfx.com) completed all the visual effects for the first season of th ...
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The ARRIRAW/Codex workflow
September 27, 2011
The success of Arri’s Alexa film-style camera, at least in terms of big-budget film production, has ...
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VFX: 'Shark Nights 3D'
September 7, 2011
SAN FRANCISCO — Reliance Media Works and a handful of vendors from around the globe createded 100 co ...
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