Web Exclusives

  • 'Interstellar': Editor Lee Smith, ACE
    Web Exclusives
    'Interstellar': Editor Lee Smith, ACE

    Lee Smith, ACE — Christopher Nolan’s longtime editor — likes to joke about how grueling it was to cut the director’s massively-layered and technically-complex space/science drama, Interstellar. He cla ...

    December 15, 2014

  • Audio: Mixing 'Into the Woods'
    Web Exclusives
    Audio: Mixing 'Into the Woods'

    Into The Woods is a complex and magical musical that puts a different twist on well-known and beloved fairy tale characters and stories. Bringing a Broadway musical to the screen is a huge task and so ...

    December 9, 2014

  • 'Into the Woods' posts at Technicolor-PostWorks NY
    Web Exclusives
    'Into the Woods' posts at Technicolor-PostWorks NY

    NEW YORK — Technicolor-PostWorks, New York completed editorial conforming and final color grading for Disney’s new film, Into the Woods. The facility was selected, in part, because of New York State’s ...

    December 9, 2014

  • Film Sound: 'Whiplash'
    Web Exclusives
    Film Sound: 'Whiplash'

    The surface challenge facing artists at the Technicolor Post Sound Facility, when director Damien Chazelle brought his feature-film debut, Whiplash, to the studio for audio post services, was time. Be ...

    December 3, 2014

  • 'Interstellar': Space crafts, robots & science
    Web Exclusives
    'Interstellar': Space crafts, robots & science

    In the November issue of Post, we speak with VFX supervisor Paul Franklin of Double Negative about how he and his team worked closely with Christopher Nolan ( Batman, Inception ) on the director’s lat ...

    November 25, 2014

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