NASHVILLE — Television network CMT recently upgraded five video editing suites at its Nashville production and post production facility with discrete 5.1 surround monitoring. The network added new Gen ...
March 15, 2019
OXFORD, UK – Motion capture solutions provider Vicon (www.vicon.com) has entered into a collaboration with Sandbox VR to bring about a next generation immersive experience. By using Vicon’s motion-cap ...
March 14, 2019
LOS ANGELES — Igor Riđanović has started small software company called Meta Fide that develops DaVinci Resolve helper applications. He recently introduced his first release — Projector — which acceler ...
TORONTO — SideFX (http://sidefx.com) has released Procedural Dependency Graph (PDG) technology, which will be available in the upcoming release of Houdini 17.5 as a new Houdini operating context calle ...
TOKYO — Imagica Lab. Inc. (www.imagicalab.co.jp) has assembled a new post production suite called ‘Seven’ that unifies the company’s editing, color grading and VFX work through Blackmagic Design’s DaV ...
March 13, 2019
NEW YORK CITY — Independent post house Goldcrest Post (goldcrestpostny.com) has expanded its picture finishing services. The company recently added veteran colorist Marcy Robinson and, in addition to ...
March 12, 2019
LONDON — Technicolor London (www.technicolor.com) is expanding their operations to better support film productions by partnering with Cinelab’s facility (www.cinelab.co.uk) just outside of London — le ...
MONTREAL — In the spirit of International Women's Day, Mill Film has published details on its diversity and inclusion goals for 2019.
March 8, 2019
NEW YORK CITY — Creative VFX boutique Artjail (www.artjail.com) has added Ross Denner as head of 3D, working out of its Chinatown studio. Denner is an award-winning VFX supervisor with over a decade o ...
March 7, 2019
This Red Tech video demonstrates how to run a Black Shade Calibration, which ensures clean and consistent pixel sensitivity across an entire image. Tune in to see what Black Shading is and why it is i ...