"From our established roots of doing trailers for the indie market, the step up to posting entire features was a natural progression," says Karma Bank founder and principal Preston Kuntz. "We can provide an entire film package complete with color-correction, titles, and trailer, featuring our strength in visual effects. We can be an all in one solution and offer the highest quality with an emphasis on being creative.
Greg Creaser handled color correction on "Penny Dreadful." The studio offers Autodesk Smoke 7.0, Lustre, Combustion, and 3DS Max. Smoke was used to conform "Penny Dreadful" and Lustre for grading. In-house tracking software, designed by Chris Woods, keeps track of all material throughout the facility.
MONTREAL - Grass Valley (www.grassvalley.com) which is headquartered in Montreal and supported by Black Dragon Capital, has appointed Jon Wilson as its new chief executive officer. Formerly the compan ...
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NEW YORK CITY - Work Editorial (www.workeditorial.tv) recently named rostered editor Trish Fuller creative partner in the US. Hailing from Scotland and based out of the New York office, Fuller’s edito ...
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LONDON - The Association of Motion Picture Sound (www.amps.net) recently announced Warner Bros.’s Dune: Part Two as the winner of the 2025 “Excellence in Sound for a Feature Film.” Polished bronze AMP ...
January 30, 2025