VANCOUVER — Sim Group’s PS Production Services (www.simgroup.com provided lighting, power, dolly and grip equipment for Deadpool, the comic book thriller from 20th Century Fox, which opened internatio ...

February 18, 2016

COLUMBUS, OH – Leftchannel (www.leftchannel.com) is following up the success of its Fall 2015 promo campaign for E! & New York Fashion Week with a brand-new promo for Fashion Week 2016. 

February 10, 2016

LOS ANGELES — Super Bowl 50 featured four commercials edited by the team at Cut+Run. Jay Nelson, Steve Gandolfi and Isaac Chen all worked on spots that aired during the big game.

February 9, 2016

CHICAGO — Bam Studios (www.bamstudios.com) provided sound design and mixing services for Maya Angelou and Still I Rise, which debuted at the 2016 Sundance Film Festival in Park City, UT. The feature f ...

February 8, 2016

SANTA MONICA — Design & digital production studio Timber (www.timber.net) provided VFX and post for three commercial that aired during Super Bowl 50. The studio contributed to Hyundai’s The Chase, ...

February 8, 2016

MIAMI — Post boutique Marca (www.marcamiami.com) helped launch a new campaign for H&R Block that features Latin urban recording artist Wisin. Editor Silvina Soto cut the :30 and :60 spots, which c ...

February 5, 2016

LONDON — The Association of Motion Picture Sound (www.amps.net) has announced that The Martian is the winner of its 3rd Annual Award for ‘Excellence in Sound for a Feature Film’.

February 5, 2016

LOS ANGELES — The Visual Effects Society recently held its 14th Annual VES Awards, recognizing outstanding visual effects artistry and innovation in film, animation, television, commercials, video gam ...

February 3, 2016

BEVERLY HILLS — Mad Max: Fury Road (edited by Margaret Sixel) and The Big Short (edited by Hank Corwin, ACE) won Best Edited Feature Film (Dramatic) and Best Edited Feature Film (Comedy) respectively ...

February 1, 2016

SYDNEY, AUSTRALIA — When many studios are limited to one facility and a small bank of computers, Australia’s Cutting Edge was sitting on a gold mine – two big VFX studios and all the hardware that cam ...

January 28, 2016