When you work for a production company like Hometeam, with a global footprint, it’s essential to have an editorial roster of folks from all across the world to pair the best talent anywhere to a proje ...
December 21, 2022
This month, Post had a chance to speak with a number of studios that are helping networks and television shows establish unique identities through visuals. Broadcast design is an art, as many will att ...
June 13, 2011
While our cover story this month is about ILM’s work as lead VFX house on Gore Verbinski’s The Lone Ranger, from Disney Studios, London’s MPC (www. moving-picture.com/film) also provided a significant ...
July 8, 2013