'Gone Girl': A look at David Fincher's 6K feature
Issue: November 1, 2014

'Gone Girl': A look at David Fincher's 6K feature

Gone Girl: Director David Fincher sits down with Post

David Fincher first arrived on the scene with his 1992 sci-fi thriller Alien 3, and followed that up with Seven and The Game. Since then, he’s established himself as one of Hollywood’s most versatile directors — and an Oscar favorite — thanks to such eclectic films as Fight Club, The Curious Case of Benjamin Button, and The Social Network. Here, he talks with Post about his latest film.  ARTICLE

Nvidia helps speed Gone Girl's post pipeline

Post engineer Jeff Brue looks at how Nvidia’s latest technology helped speed Gone Girl’s post pipeline, including editorial for Kirk Baxter, ACE, who cut the film using Adobe Premiere Pro CC.  ARTICLE

Workflow: Gone Girl's 6K challenge

Post’s Marc Loftus catches up with the teams at FotoKem and Light Iron. FotoKem provided the Gone Girl production with its NextLab mobile dailies solution, a 150TB turnkey system that allowed the team to ready material for different lines in the picture supply chain. Light Iron handled Gone Girl’s final color correction and post production.  ARTICLE