WHERE
TECHNOLOGY
AND
TALENT
MEET
℠
Toggle navigation
Magazine
Current Issue
Past Issues
News
Daily News
3D Stereo
Animation
Audio
Business
Cameras
Digital Intermediates
Editing
Education
HD
IBC
International
Lifestyle
Music Videos
NAB
New Media
New York
Oscars
People
Recent Work
Siggraph
Sound Libraries
Stock Footage
Storage
Studios
Video/Film
Visual Effects
Videos
Gallery
Film Trailers
IBC
Siggraph
NAB
AES
Tutorials
Blog
Subscriptions
Subscription Sign Up
Digital Edition/Newsletter
Print Subscription
Advertise With Us
Store
Contact Us
Video Center
AES
AES 2009: iZotope's Nick Dika
AES 2009: iZotope's Nick Dika
iZotope’s Nick Dika discusses their new Alloy plug-in.
Other
AES
Videos
AES 2009: Sonnox's Nathan Eames
Sonnox's Nathan Eames talks about the company's brand-new, $2,000 restoration plug-in package, which spent 18 months in the making.
Play Video
AES 2009: Sony's Karl Kussmaul
Sony's Karl Kussmaul introduces the company's new PCM-M10 linear PCR recorder, which offers 24-bit, 96kHz recording for less than $400.
Play Video
AES 2009: TASCAM's Jeff Laity
Jeff Laity of TASCAM intros the brand new HSP-82 8-track field recorder.
Play Video
AES 2009: SSL's Dan Duffell
AES 2009, SSL’s head of marketing Dan Duffell talks about the post-centric Xlogic.
Play Video
Sponsored News
NFS over RDMA - A foundation for uncompressed 8K
We are in a new golden era of content creation. The explosion of streaming services has brought an unprecedented volume of new and amazing media. Production, post-production, visual effects, animation, finishing: everyone is booked solid with work. Expectations for this content are higher than ever, with new, technically challenging formats becoming the norm rather than the exception. Even in 2021, working with native 8K video or high frame rate 4K video (60 frame per second+) is no joke.
Search
Search for: