VANCOUVER — The City of Vancouver and Vancouver Economic Commission (VEC) recently announced that David Shepheard — formerly London’s film & TV sector lead — has come on board as Vancouver’s very ...
October 21, 2016
LONDON — Film and animation production company Not To Scale has signed stop-motion director Anthony Farquhar-Smith. He will work across all three of Not To Scale’s offices in London, New York and Amst ...
October 20, 2016
BURBANK — Originally released in 1975, The Rocky Horror Picture Show has become one of the most enduringly popular movie musicals of all time - a staple of late night cinemas worldwide. A celebratory ...
October 18, 2016
CULVER CITY, CA — Animation, visual effects and design company Blur Studio (www.blur.com) has added new talent to its team. Eric Maurer comes on board as character effects supervisor, while Oded Raz j ...
BURBANK — AlphaDogs, Inc., (www.alphadogs.tv) recently completed post production on Danger Diva, a cyberpunk musical thriller written, directed and produced by Robert McGinley. The feature takes audie ...
NEW YORK — Lauren Hertzberg has joined the New York office of editorial house Cut+Run (www.cutandrun.com) as executive producer. She comes to the studio from The Whitehouse, where she was the New York ...
October 17, 2016
NEW YORK — The New York office of the Nomad Editing Company (www.nomadedit.com) continues its expansion the recent signing of editor/partner Amanda Moreau. The studio offers editing services wit ...
October 13, 2016
NEW YORK — Previs boutique Edit 1 (www.edit1.tv) has added Nikki Roma as senior producer. She will work both in business development and as a producer, helping client’s work through the complex proces ...
October 11, 2016
ROME, ITALY — Augustus Color is using the cloud to post Black Butterfly, Paradox Studios’ upcoming psychological thriller. The studio has employed WCPMedia’s (www.wcpmediaservices.com) media managemen ...
NEW YORK — Four-year-old art and technology company The Artery (http://thearteryvfx.com) recently created more than 200 visual effects shots for the new Netflix series The Get Down. The work represent ...
October 7, 2016