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July 2014

Christine Bunish
Christine Bunish began in publishing with an international newsmagazine group. She moved to Broadcast Management/Engineering where she helped launch World Broadcast News and later served as a writer and research director at Millimeter. She has been a freelance writer for Post Magazine for over 20 years.
Authored Articles
ILM takes on 'Cowboys & Aliens'
Published: July 13, 2011

SAN FRANCISCO — An alien invasion of the Old West. “From the VFX side it doesn’t get any better than a mash-up of the two genres,” says VFX supervisor/2nd unit director Roger Guyett of San Francisco’s Industrial Light & Magic (ILM), the lead VFX studio for Cowboys & Aliens.
Studio Management Software
Published: June 28, 2011

The downturn in the economy has meant boom times for developers of facility management software designed to help companies of all sizes operate more efficiently.
Storage Solutions: A Supplement to Post's March 2011 Issue
Published: April 20, 2011

Storage: Industrial Sex Appeal
Making the right match is key.
Storage: LTO-5 options
Published: March 8, 2011

High definition 3D footage, intense graphics and eye-catching VFX make for fantastic commercials, television programs and feature films. They also leave many post production professionals searching for an archival solution that can efficiently handle their size. Many turn to LTO-5 to solve this dilemma, as the technology combines the inherent advantages of tape with features that make it a viable alternative to a hard-disk drive (HDD).
Post's 2011 Storage Solutions supplement
Published: March 4, 2011

Download Post's 2011 Storage Solutions supplement.
Graphics for Stereo 3D
Published: February 3, 2011

Although stereo 3D for broadcast and non-feature film applications is still in its infancy, it’s not too soon for designers to discover what creating graphics for the medium entails.
Preparing for Stereo 3D
Published: November 5, 2010

Although stereo 3D is gathering momentum it appears to be “a bit like the Wild West” to those getting into it for the first time, according to Seth Henrikson, co-founder of Chicago’s Odd Machine, a hybrid production and post studio. “There don’t seem to be any hard-and-fast rules,” he notes. “Anyway, things are moving so quickly that what you did on your last job has probably been updated already.”

Digitally Acquired TV Series
Published: October 6, 2010

TV series embrace datacentric workflows
By Christine Bunish
DPs & COLORISTS
Published: August 12, 2010

Strong partnerships forged between colorists and DPs are expanding the creative role of the DI suite and pushing the boundaries of what DI colorists and cinematographers can achieve together.
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