About the author

Christine Bunish
Christine Bunish began in publishing with an international newsmagazine group. She moved to Broadcast Management/Engineering where she helped launch World Broadcast News and later served as a writer and research director at Millimeter. She has been a freelance writer for Post Magazine for over 20 years.

Author Articles

  • The Evolution of the Digital Intermediate
    The Evolution of the Digital Intermediate

    It may be time for digital intermediates to have a name change. Initially coined to describe a digital approach to a film process (i.e., the digital intermediate between film scanning and film print r ...

    May 21, 2012

  • 2D to 3D Conversion
    2D to 3D Conversion

    Much to the delight of producers — and to audiences on the receiving end of stereo 3D content — options for high-quality 2D-to-3D conversion have increased in the last few years. A number of facilitie ...

    May 15, 2012

  • On-Set Post
    On-Set Post

    Post production today is no longer a discrete process practiced off-set after production has wrapped. Instead, post often begins on-set with a workflow designed to enhance creativity while production ...

    April 24, 2012

  • 2012 Storage Supplement
    2012 Storage Supplement

    Data, data everywhere: Finding the right storage to fit your workflow is critical.

    March 8, 2012

  • Test Spots
    Test Spots

    Test commercials have come a long way from the days when animation stands were used to shoot storyboards and the resulting quick-turnaround animatics were presented to focus groups to determine which ...

    February 21, 2012

  • Getting lost in 'Hugo'
    Getting lost in 'Hugo'

    LOS ANGELES — To bring Brian Selznick’s unique illustrated novel “The Invention of Hugo Cabret” to the screen, director Martin Scorsese teamed with top names in VFX to ensure that stereo 3D was used t ...

    December 2, 2011

  • DPs & Colorists
    DPs & Colorists

    Technicolor colorist Sam Daley believes that colorists are a “secret weapon” for DPs working “behind the scenes and in the dark.” He calls a colorist “a conduit for the cinematographer. If a cinematog ...

    September 6, 2011

  • VFX for Films
    VFX for Films

    It’s the season for superheros and the supernatural, as the new crop of summer features comes to a multiplex near you. Visual effects studios, whose modelers, animators and compositors have been toili ...

    July 13, 2011

  • ILM takes on 'Cowboys & Aliens'
    ILM takes on 'Cowboys & Aliens'

    SAN FRANCISCO — An alien invasion of the Old West. “From the VFX side it doesn’t get any better than a mash-up of the two genres,” says VFX supervisor/2nd unit director Roger Guyett of San Francisco’s ...

    July 13, 2011

  • Studio Management Software
    Studio Management Software

    The downturn in the economy has meant boom times for developers of facility management software designed to help companies of all sizes operate more efficiently.

    June 28, 2011

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