NEW YORK CITY — Flavor (www.flavor.tv), Cutter Studios’ global collective of visual storytellers, has added motion designer Matt Trudell to their global staff. A New Jersey native, Trudell spent the l ...
January 31, 2022
TORONTO — Filmmaker and colorist Tricia Hagoriles has joined the Nice Shoes (www.niceshoes.com) roster as senior colorist for global representation. Having honed her skills at Alter Ego Post, Hagorile ...
January 28, 2022
The team at Perception (experienceperception.com) in New York City worked on a number of visual effects featured in the latest Marvel Studios film, Spider-Man: No Way Home. The studio focused mainly o ...
January 27, 2022
Sand. Lots and lots of sand. If there’s one thing that people immediately envision when they hear the title Dune, it is the infinite landscape of brown/orange sand. Also, the giant sandworms. And, of ...
Denis Villeneuve directed Warner Bros. Pictures and Legendary Pictures’ Dune, the big-screen adaptation of Frank Herbert’s bestselling book. The film tells the story of Paul Atreides, a gifted young m ...
NEW YORK CITY — Melissa Vilmenay has joined Harbor (harborpicturecompany.com) as senior talent specialist. A Brooklyn native and Berkeley College graduate, she most recently oversaw talent acquisition ...
January 26, 2022
NEW YORK CITY — Fancy VFX is a new visual effects studio targeting television, film and advertising projects. The boutique launches as a sister company to Goldcrest Post (goldcrestpostny.com), and is ...
NEW YORK CITY — Hollywood-based Levels Audio (levelsaudio.com) has announced its expansion to the East Coast, with the appointment of audio expert Sue Pelino and industry veteran Kassie Caffiero, who ...
January 25, 2022
LONDON — Untold Studios (https://untoldstudios.tv), here, has launched its first studio in the US, which will be led by partners/executive producers Jo Arghiris and Christina Roldan. Untold Studios cr ...
When the pandemic triggered a global shutdown in March of 2020, filmmakers were seeking any means necessary to continue to deliver content remotely. Fast-forward about 20 months later, we’ve come a lo ...