The landscape of marketing, advertising and entertainment is rapidly evolving, bringing with it a fair amount of confusion and uncertainty. Editorial shops, once strong and vibrant, have been for ...
December 6, 2010
For the visual effects industry, 2010 was a year of huge peaks and valleys in terms of projects. A year of feast or famine, with a large influx of work, followed intermittently with slower periods. We ...
As Dive looks towards 2011, we look beyond the digital acquisition format revolution that has changed our industry. New cameras will release with greater expectations in the year ahead.
Editor Rick Shaine has collaborated with director Michael Apted on multiple feature films, including Enigma, Amazing Grace and Enough. T he Chronicles of Narnia: The Voyage of the Dawn Treader is thei ...
December 3, 2010
CHICAGO — Foundation Content’s Tom Rovak is an expert when it comes to color; he has used almost every type of color correction product the market has to offer. So when it came time to build an entire ...
December 2, 2010
For Disney’s 50th feature animation, the Tangled crew created a CG version of a traditionally-animated film.
December 1, 2010
The demise of middle-budget movies, the push for more, better, cheaper effects, and the outsourcing of the VFX business are just three of the challenges facing visual effects houses in 2010.
OSLO, NORWAY — Storm Studios (www.stormstudios.no), here, recently created troll characters for the film The Trollhunter, which is being distributed in the US and Europe. The film marks the feature de ...
November 3, 2010
Rob Trent, lead compositor at Asylum (www.asylumfx.com) in Santa Monica, details his experience, including work on a recent Bud Light spot.
Due to the incredible success of this year’s 3D releases, the studios are enjoying their best box office success in the history of the entertainment industry. As a result, increased attention is being ...
November 2, 2010