Elaine Cantwell, creative director and founder of LA's Spark, goes on the record, discussing trends in design as content crosses media platforms.
August 4, 2008
TORONTO - Soho VFX relied on BlueArc's Titan storage solution to complete its VFX work for Marvel Comics/Universal Studios' The Incredible Hulk. The studio upgraded to the Titan after realizing the re ...
June 26, 2008
Using the Boris Continuum Complete Rays Cartoon filter in Final Cut Pro to generate a volumetric lighting effect on an animated text element. The BCC Rays Cartoon filter will also give text the appear ...
SAN FRANCISCO - Kontent Films and Core Studios recently teamed up to create a VFX-driven two-minute music video that promotes Sony's Playstation 3. Kontent's Eric Escobar directed the project, which i ...
June 25, 2008
Long-time series editor Michael Berenbaum got the call to cut this theatrical release.
May 27, 2008
LOS ANGELES - To achieve the high contrast, brilliantly saturated color scheme the Wachowskis envisioned for Speed Racer, their hyper-stylized live action feature version of the classic animated serie ...
April 30, 2008
Identical twins Logan and Noah Miller had never produced or directed a film. Yet the 29-year-olds managed to raise money, hire a crew and attract top-notch Hollywood talent to create Touching Home, an ...
A list of the winners at the 6th Annual VES Awards.
April 7, 2008
When an actor in Paramount Picture’s Stop-Loss dislocated a shoulder during shooting, it delayed production six weeks, resulting in a scheduling nightmare. Stages would have to be rescheduled an ...
April 1, 2008
Stop-Loss is the story of a soldier ordered back to duty in Iraq against his will, testing everything he believes in. Here, we talk with dialogue editor Jac Rubenstein and sound effects editor Wyatt S ...