At Tube, we look for someone who displays passion in their work, first and foremost. That may sound like something that could go unsaid, but it translates into work ethic, drive and commitment to be b ...
September 5, 2013
BURBANK — When FotoKem (www.fotokem.com) colorist Tom Sartori started working on the pilot for an AMC’s Breaking Bad six years ago, he was immediately struck by the quality of the writing, acting and ...
August 26, 2013
NEW YORK — Editor David Jakubovic (www.davidjaku.com) recently completed work on the documentary TWA Flight 800, which looks at the 1996 explosion that brought down the Paris-bound flight off the shor ...
August 16, 2013
LOS ANGELES — Prime Focus World (www.primefocusworld.com) is a subsidiary of Prime Focus Limited, and provides 2D to 3D conversion, visual effects and animation services for major media and entertainm ...
August 8, 2013
ATLANTA — Creative agency The DVI Group specializes in video production, having worked with numerous Fortune 500 companies within the last 14 years. The company works to create true branded entertainm ...
Choreographer and director Jeffrey Hornaday recently complete work on Disney Channel’s new summer-event special, Teen Beach Movie, which debuts on the network on Friday, July 19. The movie is a styliz ...
July 19, 2013
DALLAS — While post production facilities and production houses might still be debating whether or not cloud computing fits into their workflow, Dallas Audio Post recently deployed Signiant’s Media Sh ...
July 17, 2013
There I was, mixing the highest profile, most anticipated spot of the year. It was a big-budget extravaganza that introduced Lionel Ritchie as a new musician/spokesperson for Pepsi, a role previously ...
July 11, 2013
DALLAS — Already Been Chewed (http://alreadybeenchewed.tv) recently partnered with the Signal Factory to design a new 3D broadcast graphics package for the second season of the series, Gridiron Outdoo ...
June 21, 2013
MONTREAL — Rodeo FX served as the primary visual effects vendor on the new film, Now You See Me. The studio delivered 350 complex VFX shots for the film, representing 23 minutes of screen time.
June 12, 2013