For a production team who has put endless hours of work and planning into their film, using their talents to get the most out of every setting and performance, nothing can be more devastating than rea ...
October 6, 2017
Rob Sciarratta is the senior colorist at Post FactoryNY, a Sim Group company. He recently served as colorist on the Tom Cruise film, American Made. Here, he talks about his career and recent work.
October 2, 2017
London-based Framestore recently completed 438 visual effects shots, across 16 sequences, for Matthew Vaughn's sequel to his 2014 hit film, Kingsman: Secret Service, in Kingsman: The Golden Circle. Th ...
Keith Hodne is a senior re-recording mixer/sound designer at Post FactoryNY (part of the SIM Group family of companies). He was recently nominated for an Emmy in the category of “Outstanding Sound Mix ...
September 29, 2017
NEW YORK CITY — The Deuce, the new drama from HBO and executive producers David Simon and George Pelecanos, is set in 1970s New York City, where prostitution and crime were rampant, and the modern adu ...
September 27, 2017
NEW YORK CITY — Head of production Laura Patterson recently took Post on a tour of PS260’s 10,000-square-foot space on Fifth Avenue in New York City. The studio is approximately 15 years old, having b ...
September 26, 2017
NEW YORK CITY — Earlier this year, audio post company Sound Lounge (www.soundlounge.com) introduced Sound Lounge Everywhere, a remote audio post/sound mixing service that allows clients in the Boston ...
September 20, 2017
MELBOURNE, AUSTRALIA — Deluxe's Iloura (www.iloura.com.au) studio recently created the visual effects featured in Episode 4 of Game of Thrones’ seventh season. In “The Spoils of War," Daenerys and her ...
September 12, 2017
Larry O’Connor is the founder and chief executive officer of Woodstock, IL-based Other World Computing (http://www.owcdigital.com). OWC is a leading provider of quality computer upgrade products and s ...
September 11, 2017
When the industry moved to digital cameras, the temptation was to think that it would be easy to view what you were shooting on-screen, and that the workarounds from the old days of film shoots — wher ...