Web Exclusives

  • Color Grading: <I>The LEGO Batman Movie</I>
    Web Exclusives
    Color Grading: The LEGO Batman Movie

    SYDNEY — Due to a long and productive relationship with Warner Bros. — through films such as Happy Feet, The Matrix and Legend of the Guardians: The Owlsof Ga’Hoole — Sydney’s Animal Logic collaborate ...

    May 26, 2017

  • <I>Alien: Covenant</I>
    Web Exclusives
    Alien: Covenant

    LONDON — Framestore once again voyaged into space to team up with Ridley Scott on the highly anticipated science-fiction horror film Alien: Covenant. The 20th Century Fox film features 295 shots conta ...

    May 26, 2017

  • Audio: Sound designing Ford's F-150 campaign
    Web Exclusives
    Audio: Sound designing Ford's F-150 campaign

    As a sound designer with over 30 years of experience, I believe that projects are conceived through a highly-trustworthy process between the sound designer and the content creators. In my career, I’ve ...

    May 17, 2017

  • VFX: <I>Hawaii Five-O</I>
    Web Exclusives
    VFX: Hawaii Five-O

    The CBS hit drama, Hawaii Five-0, recently wrapped its 7th season with an adrenaline-filled, Speed -esque chase down Hawaii’s Interstate H-3 highway on the island of O'ahu. The season finale featured ...

    May 17, 2017

  • Cloud economics: private vs. public
    Web Exclusives
    Cloud economics: private vs. public

    The cloud continues to dominate IT as businesses make their infrastructure decisions based on cost and agility. Public cloud, where shared infrastructure is paid for and utilized only when needed, is ...

    May 5, 2017

  • Previs: Absolute Post's Phil Oldham
    Web Exclusives
    Previs: Absolute Post's Phil Oldham

    Phil Oldham is a Creative Director at Absolute Post (http://absolutepost.com), which has locations in both London and New York City. Here, he discusses the studio’s previs capabilities and how they ar ...

    May 5, 2017

  • Previs: Taylor James' Keith Jeffery
    Web Exclusives
    Previs: Taylor James' Keith Jeffery

    Keith Jeffery is the Head of Automotive at Taylor James in London (www.taylorjames.com). Here, he discusses the value of previs and techvis prior to production.

    May 5, 2017

  • Previs: Lola's Rob Harvey
    Web Exclusives
    Previs: Lola's Rob Harvey

    Back in the day (well, the early ‘90s) a few of us at Cell Animation began to use what has become known as previs to plot complex motion control moves and eventually drive the cameras themselves. I ca ...

    May 5, 2017

  • Previs: Nineteentwenty's Chris King
    Web Exclusives
    Previs: Nineteentwenty's Chris King

    Chris King is the Head of 3D at Nineteentwenty, which has studios in London & Bristol, UK (www.nineteen-twenty.com). Here, he discusses the benefits of previs and some of the studio’s recent appli ...

    May 5, 2017

  • Careers: Sound effects producer Ric Viers
    Web Exclusives
    Careers: Sound effects producer Ric Viers

    Ric Viers is a sound effects producer, author, instructor and Full Sail University Hall of Famer. Based in Detroit, Viers has been recording and editing sound for nearly 20 years and operates boutique ...

    May 4, 2017

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