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November 2014

Web Exclusives
Film Sound: 'Whiplash'
December 3, 2014 –  The surface challenge facing artists at the Technicolor Post Sound Facility, when director Damien Chazelle brought his feature-film debut, Whiplash, to the studio for audio post services, was time. ...
'Interstellar': Space crafts, robots & science
November 25, 2014 –  In the November issue of Post, we speak with VFX supervisor Paul Franklin of Double Negative about how he and his team worked closely with Christopher Nolan ( Batman, Inception ) on the director’s ...
'Fury': Editor Dody Dorn on working with director David Ayer
November 19, 2014 –  Director David Ayer’s most recent offering, Fury, brings audiences behind enemy lines of a Nazi Germany WWII battle, for what is believed to be a suicide mission for war-weary army sergeant “Wardaddy” ...
Motion Capture: Xsens' MVN solutions
November 17, 2014 –  CULVER CITY, CA — Xsens (www.xsens.com) is an innovator in 3D motion-tracking technology, and is based in The Netherlands, with an office here in the US in Culver City, CA. The company’s sensor fusion ...
Restoration: 1928's 'Lonesome'
November 17, 2014 –  BROOKLYN, NY — Independent colorist, post production supervisor and director Jerome Thelia has done a number of HD restorations for The Criterion Collection of classic DVD and Blu-ray titles. The ...
Workflow: Nvidia speeds the 'Gone Girl' post pipeline
November 14, 2014 –  David Fincher’s successful theatrical thriller Gone Girl, starring Ben Affleck, Rosamund Pike and Neil Patrick Harris, hit theaters on October 3rd and has since generated nearly $150M in box office ...
'Gone Girl': A look at David Fincher's 6K feature
November 14, 2014 –  Gone Girl 's 6K workflow presented a number of challenges. Here, Post connects with the film's director, David Fincher, as well as with several key contributors to the post production process.
Content and Communications World 2014
November 13, 2014 –  NEW YORK — Content and Communications World (CCW) took place at the Jacob K. Javits Convention Center in New York City on November 12th and 13th. Here's a look at what Post saw on the show floor.
Review: Shotgun Software
November 11, 2014 –  As a VFX supervisor, a large part of my job is making order out of chaos. In my time at Rhythm & Hues, Prime Focus, and now Silver Pictures, I’ve worked on dozens of effects-driven films and the ...
Review: Akurat V-White Light
November 11, 2014 –  Video lights for on-camera or on-tripod use are hard to find with a CRI of 98, but Polish manufacturer Akurat Lighting makes them. The aluminum-cased, high brightness LL2120hc3 V-White fits in the ...
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