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May 2013

Randi Altman
Randi Altman is editor in chief of Post Magazine


raltman@postmagazine.com
Authored Articles
THE REALITY OF THE WRITERS STRIKE
Published: December 27, 2007

Because it's what I do, and what I have been doing since junior high school, I waited until the last minute to hand in my  "homework" — this editor's letter.
SWOT: EDUCATION & TRAINING
Published: December 5, 2007

Schools are offering students hands-on learning and the skills needed to make the transition from student to pro. Young, talented and trained people are a hot commodity these days, but competition is fierce; schools are recognizing that and incorporating that aspect into their coursework. 
AVID READY TO MAKE CHANGES, WIN BACK HEARTS & MINDS
Published: November 30, 2007

TEWKSBURY, MA — There is an adage that equates succeeding in big business to paddling upstream. When you stop paddling, another company will pass you by. Some might argue that Avid might have lost its stroke over the last few years.
SWOT'S UP?
Published: November 30, 2007

Welcome back to our year-end Outlook issue, where we use the SWOT format — strengths, weaknesses, opportunities and threats — to illicit responses from industry experts regarding their market segment.
CALLING ALL STOCK
Published: November 27, 2007

Whether producers are seeking behind-the-scenes shots of funny people, obscure footage of a secret military mission or Floridians voting in 2000, stock imagery houses need to make sure the experience is smooth and quick. 
PREPARING FOR VFX: A DIRECTOR'S PERSPECTIVE
Published: November 1, 2007

Our "Preparing for VFX" feature this month focuses on how visual effects supervisors/artists help directors save time and money — and help them get a better result — by preparing for all possibilities during a shoot.
EDIT THIS!: 'PUSHING DAISIES'
Published: October 30, 2007

BURBANK - Hollywood loves to pigeon-hole people, so how did comedy editor Stuart Bass, who typically cuts 30-minute shows, end up on Barry Sonnenfeld's one-hour Pushing Daisies? "I'm basically a half-hour guy, and usually hour people won't talk to me," says Bass with a laugh. He made the leap to "longform" by working with Sonnenfeld on last season's half-hour comedy Notes From the Underbelly. Clearly, Bass impressed the critically-acclaimed director.
EDIT THIS!: 'PUSHING DAISIES'
Published: October 1, 2007

Veteran editor Stuart Bass plants himself between a feature film and a TV workflow.
THE NEW TV SEASON
Published: October 1, 2007

Ok, I’ll admit it. I love the summer. The outdoors, the beach, the BBQs. So when the air grows a little crisper, the days shorter and the frigid days of winter are ahead, I need to find something to escape to. I’m a baseball fan, so football doesn’t do it for me. I’m a bit of a spaz, so for my own safety and the safety of others, skiing is out; same for ice skating. So what’s left? I enjoy losing myself in a well-produced and posted TV show.
EDIT THIS!: 'THE COLBERT REPORT'
Published: September 6, 2007

This Comedy Central show takes advantage of creative editing to make laughs longer and funnier.
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