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October 2014

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VFX: 'INGLOURIOUS BASTERDS'
August 24, 2009 –  As a filmmaker, Quentin Tarantino is a dedicated purist. He likes practical special effects, especially for a raw, blood-and-guts story set in WWII France like Inglourious Basterds - not a lot of ...
WORKFLOW: 'DANCING WITH THE STARS'
August 21, 2009 –  The reality of Hollywood rarely meets the suspension of disbelief that its shows and output required for audience consumption. Nowhere is that clearer than in the post production of a show like ...
MARGARITA MIX GIVES LIBERTY MUTUAL WEB FILMS CINEMATIC SOUND
August 6, 2009 –  SANTA MONICA, CA - Margarita Mix (www.lastudios.com) recently provided final mixing services for new films from directors Ron Shelton ( Bad Boys II, Tin Cup ), Michael Apted ( The World Is Not Enough, ...
OPEN HOUSE: BETA PETROL
August 6, 2009 –  LOS ANGELES - When Bryan Ray Turcotte and Nathan Ehrenfeld opened Beta Petrol (www.betapetrol.net) in 2001, they came with a deep-rooted passion for music, and a goal of finding new and innovative ...
STOCK FOOTAGE: ARTBEATS RESPONDS TO TRENDS
July 23, 2009 –  Stock footage has become ubiquitous. It is as likely to pop up in a feature film as it is in broadcast news, commercials, corporate videos or the Internet. As a result, trends in stock footage are ...
WORKFLOW: 'TRACEY ULLMAN'S STATE OF THE UNION'
July 13, 2009 –  Tracey Ullman's State of the Union is shooting with the Red One in 4K and uses Avid solutions for a complete HD workflow.
RED WORKFLOW: OPTIMIZING DIGITAL POST PRODUCTION
May 5, 2009 –  Don't fear change. This industry has undergone many transitions. Some of the most significant ones have occurred within the last two decades.
REVIEW: AUTODESK TOXIK 2009
May 5, 2009 –  Digital tools play a big part in making magic happen, and one of our workhorses is Autodesk Toxik 2009, the latest version of Autodesk's compositing and visual effects software package for 2D effects ...
A NOVEL WAY OF EXAMINING COLOUR CONTENT
March 26, 2009 –  A feature of converting material from one standard to another is that is that the colour gamut changes. This is particularly noticeable where material developed for digital cinema is converted to SD ...
BTRY CREATES 'PAUSE' TITLE SEQUENCE
March 26, 2009 –  TORONTO - Motion design studio BTRY recently crafted a CG title sequence for the FITC's two-day conference in New York City. "Pause - An Exploration of Concept and Design within Broadcast and Film" is ...
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